What makes architecture art

Again, many architects do it already. Here are a few of our own examples:. The design of a construction does not even have to be artistically inspired.

Nevertheless, it does not mean that you cannot include artwork inside the walls of a building, especially in places that are often considered cold and impersonal hospitals, public service buildings, schools, offices, transports facilities, etc. Art would humanise it and transcend its purely practical dimension to make it more approachable and more public-oriented.

As we have seen it, iconic and praised buildings were conceived with this idea in mind, which proves it works. So, why should we not call architecture an art again? All rights reserved. Privacy Policy. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.

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These cookies track visitors across websites and collect information to provide customized ads. Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors. Close Search. A Long-lasting Debate Is architecture an art?

A Democratic Field? Certainly, behind the construction of a most functional building there lies a concept or an abstract narrative or a sketch that directs the design of that particular building.

These conceptual sketches relate to the cultural background of that civilisation or that time era. Like various art forms architecture also involves Gothic, Renaissance, Baroque, etc.

Initially, architects were always honoured and respected as the ultimate artist who could visualise imaginary buildings and places with great depth of their imagination and effectively drew them out in pen or pencil. The drawings were an accumulation of knowledge of human anthropometric, their visual experiences, understanding of how physics can be applied in bringing up wonderful spaces, the spaces that not only impact daily lives but also develop our culture which results in our civilisation.

However, in recent times it is strongly believed that the technical and practical lens of architectural projects has overtaken the artistic vision that existed in the design. Today architecture is more utility-based. Some architects also believe that their concern is only with the shape of the building and how it is conceived and they are not in charge of adding any relevance or meaning to the design form thus they feel that architecture should not be considered as an art form.

Cycling back to the initial statement that architecture is democratic. In practicality, architecture is supposed to benefit the general civilians and Yet some civilians are not receptive to it. Exclusive architecture might appear a bit bland to normal viewers because of the technical side. The general public often is inclined more towards an aesthetically looking design correlated to a functionally well-built design.

If the users could dive into the approach taken by the architect maybe they could appreciate the architecture better however this is not the most accessible field to the general public and that is why we should try to make it more approachable and more attractive.

The design of construction does not mean that you have to involve an artistic inspiration. In this insight article, Jan Dijkema discusses how art can be used to enhance architecture to create visually stunning environments.

For thousands of years, buildings and spaces have been transformed by the way in which art was used within them — often resulting in a fusion which created spaces which were beautiful, awe-inspiring, or spiritually uplifting, depending on the intentions of the client and the architect.

The fusion of art and architecture can transcend the sum of its parts, but can also go incredibly wrong. Getting the balance right is, it can be argued, an art form in itself. The building designer has to have the skill and creative talent to envisage what the end result will be and how it will be interpreted by the people who see it. Having worked on several projects where the incorporation of art was a key design feature, I and my colleagues at Chapman Taylor have experience and insight into what makes a successful blend.

Indeed, the benefits of using art strategically and to maximum effect was evident to our designers over 50 years ago, as exemplified by the horse and rider statue we commissioned from Dame Elizabeth Frink to sit in front of our Hotel Bristol project on London's Piccadilly. The famous and listed Pavilion building at Piccadilly Circus, redesigned and expanded by us in , also incorporated works by prominent contemporary artists to enliven the building's original character.

Art was integral from the outset with 42 Maslak, and that meant that we, as architects, designed the scheme with that in mind. There is an art gallery included, and even the construction vehicles were individually painted, becoming working pieces of art.

It has culminated in a revolutionary project where people eat, sleep, live and socialise within a creative environment they can call their own. Integrating art with architecture can help crown a successful scheme, as we found at the Mall of Qatar project in Doha. It regards sculpture, painting, media art, film-making and, of course, architecture as being of the highest cultural importance.

A diverse array of artworks were installed throughout the complex, sited strategically for maximum impact. Pieces ranged from a striking artistic representation of a footballer kicking a ball, made entirely from arranged yellow footballs, to origami-themed pieces and wire figures of circus performers. Chandeliers and sculptures create artistic feature pieces throughout the mall, whether a wall sculture of swans in flight or more abstract chandelier-type installations representing fashion-themed items such as shoes, bow-ties and tailoring pins.

At Shopping Promenade Coeur Picardie in Amiens, France, we made a point of including artwork throughout the complex, including striking examples of street art which provide a memorable signature for the development. The children's areas also use sculpture to enliven the space.